j:0z/ gHp$ IMj{n.y4 The subjects of the following studies are taken from the history of the Renaissance, and touch what I think the chief points in that complex, many-sided movement.
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Ri@uG I have explained in the first of them what I understand by the word, giving it a much wider scope than was intended by those who originally used it to denote that revival of classical antiquity in the fifteenth century which was only one of many results of a general excitement and enlightening of the human mind, but of which the great aim and achievements of what, as Christian art, is often falsely opposed to the Renaissance, were another result. This outbreak of the human spirit may be traced far into the middle age itself, with its motives already clearly pronounced, the care for physical beauty, the worship of the body, the breaking down of those limits which the religious system of the middle age imposed on the heart and the imagination.
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X8eZQ I have taken as an example of this movement, this earlier Renaissance within the middle age itself, and as an expression of its qualities, two little compositions in early French
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