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^WD[>E~ A painter hangs his or her finished pictures on a wall, and everyone can see it. A composer writes a
,5L&$Q6 work, but no one can hear it until it is performed. Professional singers and players have great
7NXT.E~2 responsibilities, for the composer is utterly dependent on them. A student of music needs as long and
]\3dJ^q|% as arduous a training to become a performer as a medical student needs to become a doctor. Most
;hZ(20 training is concerned with technique, for musicians have to have the muscular proficiency of an
.OWIlT4K athlete or a ballet dancer. Singers practice breathing every day, as their vocal chords would be
Nm^q.)dO inadequate without controlled muscular support. String players practice moving the fingers of the left
.#Sd|C]R7 hand up and down, while drawing the bow to and fro with the right arm—two entirely different
(ZI&'"H movements.
C]):+F<7 Singers and instruments have to be able to get every note perfectly in tune. Pianists are spared this
m[8#h(s*t particular anxiety, for the notes are already there, waiting for them, and it is the piano tuner’s
@\q~OyV responsibility to tune the instrument for them. But they have their own difficulties; the hammers that
ev@1+7( hit the string have to be coaxed not to sound like percussion, and each overlapping tone has to sound
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