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樓主  發表于: 2012-02-10   
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考博英語作文背誦經典(帶翻譯)

考博英語作文背誦經典(帶翻譯) |=}+%>y_  
 01 The Language of Music G+c&e:ip<  
A painter hangs his or her finished picture on a wall, and everyone can see NljpkeX'  
it. A composer writes a work, but no    one can hear it until it is performed. [edF'7La  
Professional singers and players have great responsibilities, for the    o-8{C0>:  
composer is utterly dependent on them. A student of music needs as long and E^-c,4'F  
as arduous a training to become a    performer as a medical student needs to !`{?qQ[=  
become a doctor. Most training is concerned with technique, for mV^w|x  
musicians    have to have the muscular proficiency of an athlete or a ballet f+:iz'b#U  
dancer. Singers practice breathing every day, as    their vocal chords would (:bf m  
be inadequate without controlled muscular support. String players practice \n_ 7+[=E  
moving the    fingers of the left hand up and down, while drawing the bow to 1GN^ui a7  
and fro with the right arm -- two entirely different movements. \m7\}Nbz0/  
Singers and instrumentalists have to be able to get every note perfectly in 8-G )lyfj  
tune. Pianists are spared this    particular anxiety, for the notes are ,kJ'_mq  
already there, waiting for them, and it is the piano tuner's responsibility    =CQfs6np:N  
to tune the instrument for them. But they have their own difficulties: the MXSD8]je  
hammers that hit the strings have to be   coaxed not to sound SWdmej[  
like percussion, and each overlapping tone has to sound clear. XIIq0I  
This problem of getting clear texture is one that confronts student :j]6vp 6  
conductors: they have to learn to know every    note of the music and how it oRbWqN` F.  
should sound, and they have to aim at controlling these sounds with [4yHXZxza  
fanatical but    selfless authority. RC7F/|w.z  
Technique is of no use unless it is combined with musical knowledge  hE:~~ox  
and understanding. Great artists are those who    are so thoroughly at home in .w4|$.H  
the language of music that they can enjoy performing works written in any QbdXt%gZe  
century. `v?hL~  
01
音樂的語言 T.#_v# oM  
畫家將已完成的作品掛在墻上,每個人都可以觀賞到。 作曲家寫完了一部作品,得由 0Px Hf*  
演奏者將其演奏出來,其他人才能得以欣賞。因為作曲家是如此完全地依賴于職業歌手和職 業演奏者,所以職業歌手和職業演奏者肩上的擔子可謂不輕。
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一名學音樂的學生要想成為 一名演奏者,需要經受長期的、嚴格的訓練,就象一名醫科的學生要成為一名醫生一樣。 絕 大多數的訓練是技巧性的。
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音樂家們控制肌肉的熟練程度,必須達到與運動員或巴蕾舞演 員相當的水平。 歌手們每天都練習吊嗓子,因為如果不能有效地控制肌肉的話,他們的聲
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帶將不能滿足演唱的要求。 弦樂器的演奏者練習的則是在左手的手指上下滑動的同時,用
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右手前后拉動琴弓--兩個截然不同的動作。歌手和樂器演奏者必須使所有的音符完全相同協 調。 鋼琴家們則不用操這份心,因為每個音符都已在那里等待著他們了。
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給鋼琴調音是調 音師的職責。 但調音師們也有他們的難處: 他們必須耐心地調理敲擊琴弦的音錘,不能讓
:+ YHj )mN  
音錘發出的聲音象是打擊樂器,而且每個交疊的音都必須要清晰。如何得到樂章清晰的紋理
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是學生指揮們所面臨的難題:他們必須學會了解音樂中的每一個音及其發音之道。 他們還
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必須致力于以熱忱而又客觀的權威去控制這些音符。除非是和音樂方面的知識和悟性結合起 來,單純的技巧沒有任何用處。
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藝術家之所以偉大在于他們對音樂語言駕輕就熟,以致于 可以滿懷喜悅地演出寫于任何時代的作品。
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>02 Schooling and Education JSg=9p$  
It is commonly believed in the United States that school is where people =F[M>o  
go to get an education. Nevertheless, it has been said that today >XZ2w_  
children interrupt their education to go to school. The distinction !o| ex+z;  
between schooling and    education implied by this remark is important. -~.+3rcZ]  
Education is much more open-ended and all-inclusive than schooling. }*XF- U  
Education knows no bounds. It can take place    anywhere, whether in the (l][_6Q  
shower or in the job, whether in a kitchen or on a tractor. It includes jGLmgJG-P  
both the formal    learning that takes place in schools and the whole <c@dE  
universe of informal learning. The agents of education can range from a TFbc@rfB  
revered grandparent to the ]UO zz1   
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people debating politics on the radio, from a child to a distinguished :TrP3wV _  
scientist. > a@1y8B  
Whereas schooling has a certain predictability, education quite often r(]Gd`]  
produces surprises. A chance conversation    with a stranger may lead a person d > M亚洲国产精品va在线观看麻豆